![]() ![]() ![]() In other words, the mutual musical influences of East and West that were manifest in the Mediterranean during the Venetocracy and in the north-Danubian provinces of Wallachia and Moldavia, under Byzantine hegemony, the Church music practices of the Eastern Roman Empire, and the subtle insinuations of communist ideology found in Byzantine musicology and the military music of totalitarian Romania. The book examines the sacred and west-European secular influences, which formed in the Byzantine territories that from an early date came under Latin administration (for example Crete) or in what is today Romania. As for article content, it should be said that in spite of an apparent lack of thematic unity, the common denominator is interculturality and the musical blend. ![]() The studies in this volume were written over the course of a decade, and have been presented at various musicology symposiums and workshops in Romania and internationally some are the fruit of research projects undertaken at institutes of advanced learning. ![]()
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